Webb5 juli 2024 · A lot of this happens by using small 3D scanners, like the Occipital Structure Sensor, to capture real-world objects and spaces, and then using game design software like Unity to embed them into an interactive world. ... “The phenomenological world is not the bringing to explicit expression of a pre-existing being, ... WebbHe describes it in what amounts to a comprehensively phenomenological frame of reference, though in somewhat different terms. Experience is the given ground of existence, and it is given as meaningful: the world somehow always already makes sense to us. This intuited meaningfulness is in-formed by knowledge — embedded
Edmund Husserl’s Phenomenology: Key Concepts - PHILO-notes
Webb20 dec. 2013 · Vangie Bergum's ‘Being a Phenomenological Researcher’, shine in their clarity and resonance. There is much that is useful here … practical pointers are offered in the various chapters, such as schedules for research projects, tips for interviewing and access, suggestions for getting qualitative research through institutional review boards, … Webb19 juli 2024 · Abstract Following Eric Hayot’s argument that modernity is a theory of the world as the “universal,” this paper traces the “world concept” in Marvel Comics industry (MC) and its synergy with the film industry of the Marvel Cinematic Universe (MCU). Speaking from the field of World Literature Studies, I show how superhero comics … the pillow book of sei shonagon
Speech in Moby-Dick Semantic Scholar
WebbIn particular, the entry emphasises the conditions of being-in-the-world, embodiment, and radical otherness, and shows how each of these have been utilised by … WebbAbstract. This study explores the phenomenological world of 11 Satir-based Singaporean Chinese therapists with regard to their experience of congruence. A mixed qualitative-cum-quantitative research method was used in this study. A phenomenological methodology was used to explore (a) the phenomenological world of therapists with regard to their ... Webb1 okt. 2014 · To render the infinitely meaningful and mysterious universe of Moby-Dick, Herman Melville draws upon the languages of drama, exposition, narration, argument, exhortation, and prophecy, l all of which, in the crucible of his style, are steeped in the same rhetorical intensity and embellishment. This linguistic richness and exuberance match … the pillow book of sei shonagon summary